10.11.09

a unrecorded fact


'hear can or of from essences applause
as crackled thumbs for its smell -
but those are not an still, but also sound'

-André Pissoir

9.11.09

13 novembre: Jean-Marie Gleize a Roma

Roma, venerdì 13 novembre 2009, alle ore 20:00

presso il centro culturale La camera verde
(via G. Miani 20, quartiere Ostiense)

presentazione del libro di Jean-Marie Gleize

IN VISTA LATERALE

en face latérale

Edizioni La camera verde,
collana felix a cura di Marco Giovenale


traduzione dal francese:
Michele Zaffarano

lettura dell'autore, presente in Camera verde

*

Interverrà inoltre
Luigi Magno


*

Jean-Marie Gleize (Parigi, 1946) è uno scrittore, poeta e saggista francese, attualmente professore di letteratura francese contemporanea all’École Normale Supérieure di Lione. Una scheda sul suo lavoro è leggibile online su slowforward.

*

Centro Culturale LA CAMERA VERDE
via Giovanni Miani 20, 00154 Roma
Cell 3405263877
email: lacameraverde [at] tiscali [dot] it

7.11.09

filmed but spectacle / anarchical persuades to projects


filmed but spectacle / anarchical persuades to projects




The (a left it’s gaps / itself filmed but spectacle ]


his tradition to certain detours will cause styles that are defunct

with scaffolding or such objects as your current look:

and, -

motives shocking careful / makes them End for time

most begin as use to make construction sorts & forms useless


environment / et aliae

a prow emotional détournement


such as said pro-fascist dynamic fell sort of self suggested


in only of which are related french-style

fanatical baroque architectural,

those that for constant masses often apply savor desert privileges

in case of studies


tender evaluation

an in is rather assertive out


the cause had admirers parks

the gardens of your ideas leaving charm to have arrangements existing past


sculptural light in cranes behavior seems like his architectural underwear

though used as any boat made of elastic architecture torpedo

possibly made of things stuck to her monument


however, case that line.

that experimental stage, that not had detourned, conceived a book

that ‘We’ & his body without as age pregnant as most straight humans have named it

all and extent that as just as well spelled this swine to the other extant point


as an propagated furniture has aside of in complex new patriotic spectacles

causing this all will replacing metal


automobiles & success transporting the context

urbanism utilitarian capitalist contradicting the progress


abundance psychogeographical bricks


future society & its police

‘most the astonishing that propaganda’


spell*



drops and reflections


rain sun pressed into thumb

released strum to distort sound as numb

sum not spread fled by water and heat

forced to reveal the matter of leap

less inferno more illusion

confusion

leisure jeans

baked beans

ad’s not anymore


so what


it seems


by all means pushed to pull

hair

this stair

will

is what it’ll make the fall

dull info excitement bringing plastic enlightenment

i get shot today for those judgements at night

and

hight but flight 1 will make the pass

i’ll come right back …

kundalini

prunes

bones

color me is black

blind lack of color

i smack

odor of summer smother

you will soon disappear

as other mother


i drop my hand¬



6.11.09

"Killer Chrome", by D.-B.Chirot: DifferxHost, 2009

2.11.09

baroness elsa von freytag-loringhoven: cosmic arithmetic


1 = 2 = SEX

2 = 1 = POTENCY
 
1 = 3 = HOLY GHOST




via lib.umd.edu

From "In Transition". Selected Poems by the Baroness Elsa von Freytag-Loringhoven


many thanks to angela genusa for the suggestion





1.11.09

le locandine d'artista

31.10.09

"irrational dude", by vassilakis / mittenthal

30.10.09

jeff crouch / diana magallón



bravery



Cat Sleep



Cups


29.10.09

undixplayed #5






27.10.09

keine puppé (no problem)



keine puppé by undRess Béton


26.10.09

soluzione wsb







teoria

25.10.09

script











meta haiku




"Cent mille milliards de poemes" (A hundred thousand billion poems), by Raymond Queneau